Rhys Johnson explores the vampire love story, and one of Sweden’s greatest cultural exports, the 2008 film, Let The Right One In
Yeah, his stuff’s out there. But so what? Is David Lynch’s work anything more than narrow weirdness? Is there substance to it?
An auteur in the truest sense; writer, director, producer, actor, and composer, Shane Carruth, makes very personal and profound films. But what’s he all about?
Vincent Gallo is an egomaniacal, sperm flogging, go-go dancing, cancer cursing, compulsive masturbator. He also makes movies. Robert Gould explains why they’re good.
An actor is someone who acts, so why do we need the word actress? Isn’t categorising people by their gender in a profession where people play make-believe kind of silly?
The second part of Siddhi Sundar’s critical analysis of Harmony Korine and his more recent films.
Harmony Korine is the living manifestation of risk. His movies are wrought with nauseating graphics and revolting vulgarity. Siddhi Sundar explains why we should care.
You don’t have to be a scholar to know that some of the greatest art put to celluloid doesn’t hit the multiplexes, that’s why we need the teeny-weeny independent theatres.