Comments on films and cinema
As we’re told that society is becoming more equal between the sexes, study reveals the number of women working in film is actually falling.
Voodoo and ‘70s blaxploitation collide in Sugar Hill, from a time when zombies were spiritual agents of death and destruction, rather than simple victims of a virus outbreak.
Jonathan Neeves takes apart the Oscars – a horrendously biased ceremony based on nationality, creed and colour.
Gorilla heroically steps forward to defend the poor, hulking mass of Hollywood, and looks at whether naked commercialism necessarily thwarts artistic endeavours.
A brief overview of two of the brightest names in the low-budget, independent ‘Mumblecore’ film movement.
Rhys Johnson’s love/hate relationship with Fight Club.
Rhys Johnson explores the vampire love story, and one of Sweden’s greatest cultural exports, the 2008 film, Let The Right One In
Yeah, his stuff’s out there. But so what? Is David Lynch’s work anything more than narrow weirdness? Is there substance to it?
An auteur in the truest sense; writer, director, producer, actor, and composer, Shane Carruth, makes very personal and profound films. But what’s he all about?
Vincent Gallo is an egomaniacal, sperm flogging, go-go dancing, cancer cursing, compulsive masturbator. He also makes movies. Robert Gould explains why they’re good.